cablage V1
Posté : 23 oct. 2009, 18:15
Je tombe sur ceci (http://newton.freehostia.com/ampmods.pdf) :
Wiring Considerations
Amps should not hiss, hum or otherwise make racket it's not supposed to. Every gain stage added to an
amp multiplies its tendency to amplify noise so proper component selection and wiring is very critical
in the first stage of an overdrive mod, and fairly critical in the second stage. High-impedance wiring in
the first couple of stages should be shielded, and also wiring which can transmit unwanted signals into
other stages such as the distorted output leading to the overdrive volume control. To avoid hum pickup,
the cathode wiring should be parallel to the grid wiring, all the way to the signal source. The first stage
cathode should be grounded at the input jack, the gain stage cathode should be grounded at the gain
control. The best way to ensure that the stage grounds remain parallel to inputs is to ground them
through the shields all the way to the signal source.
En gros je retiens que on peut limiter le hum des micros en :
- référençant la cathode de la première triode à la masse du jack
- tirant des fils parallèles (?) depuis la cathode et la grille (donc vers le jack, mébon, la grille reçoit un fil blindé...)
Si ça inspire quelqu'un ?
Warteko
Wiring Considerations
Amps should not hiss, hum or otherwise make racket it's not supposed to. Every gain stage added to an
amp multiplies its tendency to amplify noise so proper component selection and wiring is very critical
in the first stage of an overdrive mod, and fairly critical in the second stage. High-impedance wiring in
the first couple of stages should be shielded, and also wiring which can transmit unwanted signals into
other stages such as the distorted output leading to the overdrive volume control. To avoid hum pickup,
the cathode wiring should be parallel to the grid wiring, all the way to the signal source. The first stage
cathode should be grounded at the input jack, the gain stage cathode should be grounded at the gain
control. The best way to ensure that the stage grounds remain parallel to inputs is to ground them
through the shields all the way to the signal source.
En gros je retiens que on peut limiter le hum des micros en :
- référençant la cathode de la première triode à la masse du jack
- tirant des fils parallèles (?) depuis la cathode et la grille (donc vers le jack, mébon, la grille reçoit un fil blindé...)
Si ça inspire quelqu'un ?
Warteko